整理一下思绪。
实际上令我生气的当然不是女权与女同更不是政治正确，而是这几年雨果奖（尤其是短篇）得奖作品本身的平庸。如果政治正确是提名和获奖的标准，即使是平庸的作品也毫不在乎的话，那么奖项也不过是屎罢了。
就好像国内的某些影视大奖之所以越来越像笑话就是因为他们每年都比上一年更喜欢和稀泥和向资本低头了，所以成了他们自娱自乐的派对和观众心目中的笑话。
而大刘得不得长篇奖我也根本不在乎，大刘自己也许很在乎那是理所应当的，但是对于读者来说三体系列最大的存在意义不在于得了什么奖，而是它展现和推动了国内科幻文学的发展，让我们能看到更多更好的作品。事实上大刘书里的一些直男癌属性直接影响了他被国际认同的程度——美国亚马逊的英文版书评能明显看出这一点——这也属于普世价值对文学的影响吧。
说实话，连我这种铁杆粉都默默想过，要不是第一部写人祸那帮西方人也根本不会关注更遑论奖项了，这就是为什么明明后两部比第一部格局大得多把控也更好记忆点更深刻却风光不再的原因。
嗟叹。
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